Collage Crewneck sold by Samuel Zelig
Collage Crewneck sold by Samuel Zelig product image thumbnail 1Collage Crewneck sold by Samuel Zelig product image thumbnail 2Collage Crewneck sold by Samuel Zelig product image thumbnail 3Collage Crewneck sold by Samuel Zelig product image thumbnail 4Collage Crewneck sold by Samuel Zelig product image thumbnail 5

Collage Crewneck

$335
USD
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Product Description

Crafted from heavyweight French terry cotton, this sweater combines comfort with a distinctive vintage aesthetic. Designed with raglan sleeves and a unique double V rib inset, it's perfect for casual outings. The multi-colored embroidery captures the spirit of the Dada art movement, making this piece a conversation starter. Each garment undergoes a vintage wash for added character and a sun-faded look, ensuring it stands out in any wardrobe. From the brand: Details 15 oz Heavyweight cotton French terry  1" neck rib with 3/16" coverstitch Classic double V rib inset at front and back neck Raglan sleeves Flatlock seam construction This garment has undergone a vintage wash and dye to remove all shrinkage and give it a unique sun-faded look French Terry Color: Beige Rib Color: Beige Embroidery color: Multi Size & Fit True to size Model is wearing a large Model measures: height 6'3" / 190cm XS S M L XL Chest 20.75 21.75" 23.25" 24.25" 25.5" Length 25.5" 26.25" 27" 27.5" 28.75" Sleeve 32.5" 33" 33.25" 33.5" 33.75" Care & Origin 100% cotton Machine wash cold tumble dry low Designed in Los Angeles Imported Details For this group, we were inspired by Dada, the early 20th-century art movement that rejected logic and tradition in favor of absurdity, spontaneity, and anti-art gestures. Dada artists like Hannah Höch and Kurt Schwitters used collage to disrupt meaning; cutting and pasting found images into strange, poetic new forms. We were also thinking about Robert Rauschenberg, whose layered, mixed-media works collapsed the boundaries between painting, sculpture, and everyday material. In a similar spirit, we started this collection not with drawings (as we usually do), but by physically collaging scraps of paper and found materials. We then scanned and re-drew them digitally, translating their raw textures into embroideries; preserving the improvisation and irreverence at the heart of Dada.